Orchestra. The Tapu'at (mother-child) symbol of the Hopi is a seven-circuit labyrinth, it is not a maze, but a single circular pathway leading either into the labyrinth's center or out from it.
Read MoreMixed choir. 3 pieces on traditional Latin texts from the Liber Usualis.
Read MoreChamber orchestra and laptop. Sampling Barber’s Adagio and playing it back as an object of memory within a new composition.
Read MorePiano. Inspired by the imagery of children’s books.
Read MoreOrchestra. I'itoi's spirit comes down from the mountain and steals things, wreaks havoc, and always escapes through a twisting path which cannot be followed.
Read MoreMixed choir. Settings of Rosemerry Wahtola Trommer’s poetry.
Read MoreMixed choir. 5 diverse settings of Shakespeare’s words on love.
Read MoreMixed choir. A sweet setting on Gerard Manley Hopkins’ famous poem.
Read MoreMixed choir. On the Spanish poem by Federico García Lorca.
Read MoreA comic opera exploring the true story of Cecilia Giménez and her botched restoration of the Ecce Homo in Spain.
Read MoreDouble choir. A wordless piece, exploring how we call to each other; and how the overtones of our vowels may be calling us to awakenment.
Read MoreMixed choir with SATB soloists. On the poetry of Philip Levine, commissioned by The Crossing.
Read MoreNative flutes and digeridoo, flute, cello, piano. Composed as a feature for Taos Pueblo musician, Robert Mirabal.
Read MoreMarimba. A highly theatrical piece that recounts the michiyuki from Chikamatsu’s “The Love Suicides at Sonezaki.”
Read MoreCello. During the Nazi occupation of France, young rebellious types, or “Zazou” met in cafes and jazz clubs.
Read MoreViola or cello and overtone vocalist. A duet that oscillates between meditative and rhythmic qualities.
Read More10 percussionists. Using the rhythm and expressiveness of walking amidst a backdrop of a street performers.
Read MoreHarp. A composition that is as much choreographic as musical, based on a haiku from Basho.
Read MoreMarimba. A simple chorale.
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